Independent Brazilian Waxers St. Louis

Toilett meets Advertising

It is called "Ambient Media" and uses the space semi-public toilets for promotional purposes. The initial benefits of the toilet is borrowed by the praise of a product, the marketing of an event or to generate attention for a new movie. The advertising is adapted to the existing concept of space and positioned so that all the attention on the Klogang pulls to win as many new potential customers.

The toilet is the borrowing by these Ausstellunsgraum for something other than itself and thus establishes a connection from different locations, which lie outside its territorial limits. By the cultural conventions of the toilet user is no alternative but to build a cognitive gap between his common knowledge and advertising. The effect of such media illustrations can also for awareness generation outside of consumer goods to take place and draw attention to social or environmental issues:

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there is obvious in these two public toilets in Vienna
a single room design ,
the residence the user probably as short as
meant to make possible:

- tiled floor and tiled walls
- a toilet made of metal without toilet seat
- no toilet paper
- no toilet brush
- a non-functional sink
- no paper towels or similar to
Händeabtrocknen
- no mirror
- a grid over the cabin, so you
not to Nachbarklo casts a
- a ventilation system that works enough unfortunately not
(Fäkalgeruch)
- greasy metal doors that already have longer
seen no rag more

Any comfort that a semi-public WC
has mostly been deliberately removed, and even here
not only in the sober, orderly room design
scheduled. This makes the toilets
be clearly purposeful and probably by the radical
user for a time, never visited.
The lack of toilet paper here is the social necessities
to a precarious matter and the ideals of
Klogangs can only be met due
. Furthermore, the
rite of passage is prevented to leave the place
because the sink is not
works and I could not also dry the
hands.

The misuse is therefore a
otherwise occurred specifically in the form of awards and incomprehensible
toilet graffiti
the only ones not to clean surface:
the door. The "Rise of the characters" brings a certain historicity
in the sober
spatial structure and refers to a temporal break, because their authors are already
absent and the
Bedeutungsdechiffrierung many refused.
Nevertheless, they are seen as media
and clearly refer to something beyond the
space, making them
toilet facility is not a non-place.

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including a look behind the mirror

This so unassuming from the outside Toilet in the U.S. gives the impression of a modern mirror facade, but you have to enter this toilet once to offer a quite different picture ...

It literally sits in a glass house - but with the small difference that we observed the sounds outside and not vice versa. So you can while performing his natural need to watch other people strolling and monitor their activities and calmly, while itself not its appearance.

The reversal of the basic function of a toilet cubicle in the shape of the visibility of the environment, in which one actually retires by closing the toilet door leads to a visual juxtaposition from two different locations. While that is doing a private business, you have around the glass panes clear view of social life to one and is thus a passive participant in it. Although the user will disappear for the other passers-by for a short time, he is still incognito part in the activities outside.

particularly the lack of any media within the toilet facility and the sober white space concept to a lack of historicity and thus also refers to a communicative dysfunctionality. It is basically only for the duration of his stay in this place and yet it participates indirectly through the concept of space in social life outside, so that these could be described as a modified toilet non-place. Behind the mirror of the externality is a place of solitude practiced without hiding their identity, but the user receives a similarity to the other side of the facade.