there is obvious in these two public toilets in Vienna
a single room design ,
the residence the user probably as short as
meant to make possible:
- tiled floor and tiled walls
- a toilet made of metal without toilet seat
- no toilet paper
- no toilet brush
- a non-functional sink
- no paper towels or similar to
Händeabtrocknen
- no mirror
- a grid over the cabin, so you
not to Nachbarklo casts a
- a ventilation system that works enough unfortunately not
(Fäkalgeruch)
- greasy metal doors that already have longer
seen no rag more
Any comfort that a semi-public WC
has mostly been deliberately removed, and even here
not only in the sober, orderly room design
scheduled. This makes the toilets
be clearly purposeful and probably by the radical
user for a time, never visited.
The lack of toilet paper here is the social necessities
to a precarious matter and the ideals of
Klogangs can only be met due
. Furthermore, the
rite of passage is prevented to leave the place
because the sink is not
works and I could not also dry the
hands.
The misuse is therefore a
otherwise occurred specifically in the form of awards and incomprehensible
toilet graffiti
the only ones not to clean surface:
the door. The "Rise of the characters" brings a certain historicity
in the sober
spatial structure and refers to a temporal break, because their authors are already
absent and the
Bedeutungsdechiffrierung many refused.
Nevertheless, they are seen as media
and clearly refer to something beyond the
space, making them
toilet facility is not a non-place.
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